The music is not too melodramatic and is not used too much, even not being too manipulative in revelations.

The production values are still slick and suitably gritty (without being too heavy in it). This is a strong example of an episode where everything about it works. To me, this is still a brilliant episode and one of the best of Season 7. That's why the episode has such a big shock factor, not to mention that it is a case that leaves one reeling more than once. But it is not the episode or the writers that are being hateful or discrimatory, 'Raw' is an episode that features very bigoted characters and is about the truly frightening extent at how such a hate group act and think. It is understandable as to why some will not think so, with a lot of hateful terminology being used that really shocks one to the core. 'Raw' actually does manage to do that, while having full impact. It also dealt with one of the most difficult subject matters of Season 7, with it being quite hard to make something in good taste out of a subject that will leave many feeling a lot of anger and disgust due to the extreme bigotry of the supporting characters. On first watch 'Raw' blew me away, with very few 'Law and Order: Special Victims Unit' episodes shocking or terrifying me this much. Funimation has licensed the series in North America.Great to see that there are others also in love with 'Raw', having seen more mixed reviews elsewhere. The 12-episode anime series is set to broadcast on AT-X and other anime television networks from July 12 to September 27, 2017. Later, the first official anime promotional video was on screen. As of June 24, both theme songs were revealed: The opening theme ' Caste Room' by ZAQ while the ending theme ' Beautiful Soldier' performed by Minami. On May 8, list of TV anime staff was revealed, followed by list of full cast a week later. On the same day, the official anime website was opened. On May 1, the press release for the anime series was announced with Seiji Kishi and Hiroyuki Hashimoto serving as its directors.

After meeting Suzune Horikita and Kikyō Kushida, two other students in his class, Kiyotaka's situation begins to change. He is a student of D-Class, which is where the school dumps its inferior students in order to ridicule them. Our protagonist is Kiyotaka Ayanokōji, a quiet, unassuming boy who is not good at making friends and would rather keep his distance. The students there have the freedom to wear any hairstyle and bring any personal effects they desire. In the not too distant future, the Japanese government has established the Tokyo Metropolitan Advanced Nurturing High School, dedicated to instruct and foster the generation of people that will support the country in the future.

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